“Shostakovich's nuances require a highly sensitive, technically perfect soloist. The German cello virtuoso Maximilian Hornung can do that. And a lot more.”
Maximilian Hornung has established himself as one of the leading cellists of his generation in recent years. Today, he regularly performs as a soloist with such renowned orchestras as the London Philharmonic Orchestra, Pittsburgh Symphony Orchestra, Philharmonia Orchestra, Tonhalle Orchestra Zurich, Czech Philharmonic, Vienna Symphony, Swedish Radio Symphony Orchestra, Kammer philharmonie Bremen, Bavarian Radio Symphony Orchestra and Bamberg Symphony under conductors such as Daniel Harding, Yannick Nézét-Séguin, Mariss Jansons, Esa-Pekka Salonen, David Zinman, Pablo Heras-Casado, Andrés Orozco-Estrada, Semyon Bychkov, Bernard Haitink, Manfred Honeck, Antonello Manacorda, John Storgårds, Mario Venzago, Jonathan Nott, Kristjan Järvi, Andrew Manze, Krzysztof Urbański and Robin Ticciati. Hischamber music partners include Anne-Sophie Mutter, Antje Weithaas, Hélène Grimaud, Daniil Trifonov, Christian Tetzlaff, Lisa Batiashvili, François Leleux, Joshua Bell, Yefim Bronfman, Herbert Schuch, Lars Vogt, Hisako Kawamura, Jörg Widmann and Tabea Zimmermann. He has performed with the Arcanto Quartett and the Cuarteto Casals and has been invited to perform at festivals including Schwetzingen, Salzburg, Schleswig-Holstein, Mecklenburg-Vorpommern, Rheingau, Lucerne, Verbier, Ravinia and Hong Kong. He has appeared in concert halls such as the philharmonic halls of Berlin, Cologne and Essen as well as the Vienna Musikverein, Concertgebouw Amsterdam and London’s Wigmore Hall.
Highlights of the 2020/21 season include his re-invitation to the Tonhalle Orchestra Zurich (Gulda with Krzysztof Urbánski) and his debuts with the Bavarian State Orchestra (Saint-Saëns 1 with Joseph Bastian), the Jerusalem Symphony Orchestra (Dvorakwith Hans Graf), the Vienna Symphony (Saint-Saëns 2 with Antonello Manacorda), the Nederlands Philharmonisch Orkest (Elgar with Martyn Brabbins) as well ashis debut at the Cello Biennale Amsterdam. Additionally, he will be Artist-in-Residence at the Jenaer Philharmonie.
His versatile discography is impressive, and includes solo concertos as well as recordings with prominent chamber musicians. He received the ECHO Klassik Prize for his first album (Sony2011) – for which he was designated as Young Artist of the Year – as well as for his recording of Dvořák’s Cello Concerto with the Bamberg Symphony under the direction of Sebastian Tewinkel the following year (Sony 2012). Further recordings have included Richard Strauss’ major cello works with the Bavarian Radio Symphony Orchestra under Bernard Haitink (Sony 2014) and Joseph Haydn’s cello concertos with the Kammerakademie Potsdam under Antonello Manacorda (Sony 2015). In 2017, Deutsche Grammophon released a highly acclaimed recording ofSchubert’s Trout Quintet with Anne-Sophie Mutter and Daniil Trifonov amongst others. Further recordings were released on Genuin, Linn Records, NEOS, BridgeRecords and CPO. In October 2018, myrios classics released his recording of Dmitri Shostakovich’s Cello Concerto No. 2 and Sulkhan Tsintsadze’s Cello Concerto No. 2 with the Deutsches Symphonie-Orchester Berlin under Andris Poga. 2020 will see the release of his next myrios CD of Schumann’s Cello Concerto with the Swedish Radio Symphony Orchestra under Daniel Harding.
Maximilian Hornung, born 1986 in Augsburg, began taking cello lessons at the age of eight. The teachers with whom he has studied most intensely are Eldar Issakadze, Thomas Grossenbacher and David Geringas. As cellist of the Tecchler Trio, in which he played until 2011, he won the First Prize of the ARD Music Competition in 2007. At the age of only 23, he became first principal cellist of the Bavarian Radio Symphony Orchestra and held this position until 2013. Maximilian Hornung has been supported and sponsored by the Anne-Sophie Mutter Circle of Friends Foundation and Borletti-Buitoni Trust London.